Claude Rutault’s Inventaire (1989-1994) gathers the entirety of his definitions/methods, represented by raw canvases, canvases painted in white or painted over in gray, as a way to record their current state of realisation—respectively non-realised, realised, or cancelled. This ensemble, first presented at MAMCO in 1994 and integrated since within the museum’s collection, is a form of seismograph of Rutault’s practice. It is now re-installed following the artist’s wish, and an outside wall allows the update of any of the works.
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